Friday, January 28, 2011
This film is originally from the famous erotica author Dan Oniroku's novel: Flower and Snake series.
Written art performer Shizuko has married Toyama, a successful business man. She concentrates on teaching her student, Mitsuko.
Toyama's former business partner, Tashiro, kidnaps Shizuko as revenge against Toyama who refused to save his business. Shizuko is treated as a sex toy and sex slave, the ultimate goal of Tashiro is to train up Shizuko to be a porn star.
Preston Sturges Does Story Of O
I first saw FLOWER AND SERPENT in the eighties at the Thalia. It was part of a wonderful film series on Japanese B-movies—movies regular Japanese folks see, not artsy Kurosawa flicks. Several audience members walked out in disgust within the first few minutes, but I stayed, fascinated. It was the first—and still only—Japanese bondage comedy I had ever seen.
A young, sexually impotent salaryman lives at home with his dominating—literally— mother. She produces "kinbaku" (bondage) movies in the basement to make ends meet. When the salaryman's boss discovers stills from the mother's work in the salaryman's desk, the boss mistakenly assumes the salaryman is a "nawashi" (bondage master) and orders him to kidnap and train the boss's sexually unresponsive wife. Complications ensue when the wife and salaryman fall in love with each other.
Cult director Koji Wakamatsu (famous abroad for titles such as "Go, Go Second Time Virgin") returns to helm the sixth in this perversely entertaining series. A Kabukicho gigolo with a gambling debt Mikio Osawa agrees to bump off a rich wife's husband for a bundle of cash, but botches the hit. On the run in the snow-covered hills of northern Japan, he holes up in a shuttered, deserted house. But the house is not empty: a timid, traumatized girl Mika Ito lives there, in the thrall of a sick, hot-tempered trucker Shiro Sano who has kept her there since she was a tiny girl. Osawa tries hard but looks out of his depth here, as veteran Sano and 23-year-old ingenue Ito build an all-too-believable, monstrous relationship as sadistic paternal pervert and terrified tremulous child. File under guilty pleasure.
A young man breaks into a nurses' rooming house and one-by-one kills off the nurses therein. In the tradition of Wakamatsu's other Pinku eiga(Pink Films), there is lots of sexuality and nudity. However most of the actual murders take place off screen.
Like many films of this nature, Violated Angels was called anti-feminist and misogynistic. In Film As A Subversive Art, a book on underground cinema, Amos Vogel praises Wakamatsu's artistic talent, yet pans the film for its "...anti-feminist sadism which is not based on any ideological explanation and finally contributes misanthropic flavour to his work."
Can a gritty, no-exit gangster movie brimming with hardcore sex and degradation also be a tender love story filled with poetic dialogue and an experimental arthouse feature? The answer, of course, is no, but Tokyo Elegy, from South African underground filmmaker Ian Kerkhof, swings for the fences in its effort to stitch all of those elements together in its 90-minute running time. And while the end result is frequently confusing and more than a little pretentious, it’s never boring.
Dutch actor Thom Hoffman (Dogville) plays Jack, a criminal on the lam after killing a pair of cops. He runs into porn actress Keiko (played by real-life Japanese porn star Mai Hoshino) in a bar, and after banging her brains out in the bathroom (a poster for Kerkhof’s film Wasted! adorns one wall), he moves into her apartment to hide out. The pair quickly falls into a round-the-clock routine of drugs and fucking, but the romance has a time limit; Jack has apparently ratted out a former partner, and the local yakuza plan to settle the score within seven days. As his final days slowly wind down, Jack attempts to do good by helping Keiko deal with her childhood memories of sexual abuse.
This must be the funniest pink cinema movie there is. The humor borders on insane, in the tradition set by the movieVistor Q. The highlights include cockroaches, athletic sex, cucumber penetration, and airborne semen.
Synopsis (taken from here)
Japanese cult cinema icon Takashi Ishii (Evil Dead Trap, Gonin) directs this erotic drama concerning an ageing husband who goes to unusual lengths to ensure his wife's sexual satisfaction. Soon after Tooyama begins to suffer from performance problems in the bedroom, his marriage to Shizuko takes a turn for the worse. Though he cannot pleasure his wife personally, Tooyama eventually realizes that watching his wife engage in sadomasochistic games with others can be just as much fun for both of them. Later, as Tooyama grows increasingly comfortable watching his wife explore her sexuality with other men, the unusually generous husband hires a skilled artist to capture the erotic encounters on canvas.
Empty room is a dark, highly erotic tale of a married couple whose relationship is slowly sliding into oblivion. Bored and sexually frustrated, the wife begins taking lovers while her unemployed husband spends his days wandering aimless around the city parks.
A young woman gets raped by three thugs on her wedding night while her husband is forced to watch. He then tell her to leave because his honor has been violated. She attempts to commit suicide, but a priest talks her out of it and she decides to become a nun. Once inside the convent, she is again a victim of sexual abuse.
Mitsuru Meike - Hatsujô kateikyôshi: sensei no aijiru AKA The Glamorous Life Of Sachiko Hanai (2003)
A riotous amalgam of political satire, apocalyptic comedy and steamy erotica, The Glamorous Life of Sachiko Hanai is an insanely entertaining example of the Japanese pink film (pinku eiga) genre, a popular form of erotic softcore cinema. Titillation is, of course, a primary goal, but due to Japan's censorship codes (no depiction of genitalia or penetration is allowed), creative storytelling is also important. When both factors are present, as in this memorably nutty offering, the result is particularly pleasurable. Sachiko Hanai (Emi Kuroda) is an escort who specializes in teacher-student scenarios (the film's delightfully apposite original title is Horny Home Tutor: Teacher's Love Juice). One day, after an energetic tutoring session, Sachiko adjourns to a nearby café. An argument between two men escalates, and she is shot between the eyes. Miraculously only dazed, she grabs a mysterious cylinder from the café floor, thus making off with a clone of George W. Bush's finger. And then things get really weird. Sachiko discovers odd psychic abilities and begins imagining various theories of the universe and multivalent philosophical speculations, all to the throb of techno. While she pursues arcane poststrucuturalist knowledge—and has intellectual intercourse with a political philosopher—a consortium of bad guys chase her in the hopes of recovering the cylinder. Raunchy and hilarious in equal measures, with a dash of smart political commentary, Mitsuru Meike's memorable feature will undoubtedly tickle you pink.
Thursday, January 27, 2011
Pierfrancesco Campanella's first giallo (also his directorial debut). The plot is about a series of murders among homosexuals, but the erotic element is mostly represented in heterosexual couplings, so no worries there. Starring the always excellent Tomas Arana, with Alida Vali, Gioia Scola, Lorenzo Flaherty, Natasha Hovey and Barbara Scoppa.
Tuesday, January 25, 2011
The Back Cover wrote:
After a breakfast of LSD and hitchhikers, The Takers--two berserk bikers--decide to go upscale when they spot suburban housewife Laura and bachelorette Barbi, follow them to Laura's home, and invite themselves in: "We're gonna have us a party with some educated social-type broads!" And party they do until Laura's hubbie unexpectedly shows up to settle things with some shotgun vengeance and... well, one of the goofiest, most startling endings of any motion picture!
An intentionally campy film designed to capitalize on Linda Lovelace's sudden fame following "Deep Throat", this film centers around Linda's fictional grass roots campaign to run for president. Touring the country with a rag-tag team of strange and wacky people, hilarity supposedly ensues at every stop
19 June 2003 | by (joe_mentat) (United States)
When I first sat down to watch this movie I thought it was going to be a strightforward crime movie. Boy was I wrong. After I realized that it was a soft-porno I was like any other guy getting really excited over women bearing all. But between the sex scenes I noticed that this was more than just another porno, it actually had a plot. Another thing that surprised me was that Allie (Samm Croft) did a fair job as an actress. Samm Croft and Renee Rea are also very hot women, especially at the end when both of them got down with their respective mates. The Movie: B The Women: A+
'Clint Ramsey has to leave his job working at Martin Bormann's gas station and flee after his wife is murdered by psycho cop Harry Sledge, who tries to pin the murder on Clint. Crossing America, Clint gets sexually harassed on all sides by various voluptuous nymphomaniacs, and it all ends in a literally explosive climax'.
Sunday, January 23, 2011
Teenagers pack a van full of beer and go on the road in search of sexual adventures.
14 December 2007 | by lazarillo (Denver, Colorado and Santiago, Chile)
This is a rather schizoid movie as is evidenced by its two alternate titles "Blue Summer" on one hand, or "Love Truck", on the other. At times this seems like a typically stupid and painfully unfunny early 70's softcore sex romp with a lot of idiotic and unrealistic situations and some pretty unappealing actresses. The movie follows a pretty typical formula--two guys who have just graduated high school go off on a road trip in a customized van looking some female action, and fall into all kinds of increasingly absurd, but not particularly funny situations--and, of course, they have a lot of sex on the way.
Thursday, January 20, 2011
"Looking for studs rounding up stallions…and riding them! California Cowgirls are back in the saddle again and loving it. When their cowpoke boyfriend Johnny rides into town, this rangy stud gives them shares of the mother lode without ever leaving the old bunkhouse."
Ashlyn Gere is in need of the kind of sexual fulfillment most women dream about, but never achieve. Enter Dr. Sphicter and Reball! Their clinic is where the hottest memories ever put on tape can be taken to the bank. The memory Bank!
Wednesday, January 19, 2011
John Love - Secrétaires B.C.B.G. aka Secrétaires BCBG le jour mais salopes et perverses la nuit (1985)
Gabrielle (Cathy Ménard) is a secretary who loves to suck employees in the elevator; she is provocative with all employees and has a relation with her boss who would like, with her complicity, to seduce the wife, Isabelle (Yasmina – Mina Houghe), of Philippe, one of his employees. Therefore, he invites the couple to a diner in his house that rapidly turns into an orgy where food and champagne are part of the sexual games. The boss silently suggest (?!) Philippe to leave and promise to take care of his wife. The shy and reticent Isabelle is not participating to the orgy but Gabrielle succeeds to take her along into bathing games with a 3rd woman and learn her lesbian games, they both end in a bedroom where Gabrielle, using a dildo belt, introduces Isabelle to the pleasure of sodomy. The boss join them but does not participate, he calls Philippe and informs him that he will be promoted thanks to the performances of his wife.
Tuesday, January 18, 2011
Sorority Sisters Heather and Julianne "The T&A Girls" put hot, young coeds Monique Seabroke and Tia Ford through a Hellweek hazing that will leave you breathless!! You don't fuck around with this sorority; you actually fuck their tight pussies and devour their hot dripping snatch!!
Liaisons Guilty" is the first film, that recounts without any modesty, the incredable adventure of an incestuous relationship between a sister and brother, and of a father with his daughter. The production directed by Michel Ricaud, was crowned by the press video X Best Film of the Year.
Three escaped convicts lost in a blizzard come upon a cabin inhabited by an old couple and their young, nubile daughters.
Peckinpah meets porno in this moody existential western (directed and starring someone named RIK TAZINER), set in The Winter of 1849, in which the expression "Ride ’em, cowboy!" takes on an entirely different meaning.
Lost in a vast frozen wasteland, three grubby, escaped convicts, Curt, Zeke, and Lenny, make for the cabin of old Ezra and Martha where they expect to find "a nice warm place to sleep, and good grub." But old Ezra is defunct, and Martha now lives alone in the "God-forsaken wilderness" with her two sisters, strawberry blonde Middle Sister and Virginal Beth. Though Zeke can’t wait to eat "some o’ those fine vittles," this is a porno flick, ladies and gentlemen, so when the three desperados arrive at the snowbound cabin, everybody chows down on groins, not grub.
Rene Bond and Suzanne Fields get in on together in tale of a girl getting her younger sister laid for the first time SUZANNE FIELDS, cult star and cutie, is My Little Sister, a gal with lots of attitude. Too much attitude, if you ask her older sister, who believes "a good lay" might be just what baby sister needs. So she arranges for some of her hypersexual pals (and herself) to provide li’l sis with her much-needed cumuppance. Of course, any movie offering Suzanne and Rene together in hardcore scenes is a treasure and a treat, and makes up in spades for the lame dubbed dialogue that almost makes this a comedy.