22/09/13

Sylvia AKA A Saint, a Woman, a Devil (1977) - Peter Savage

http://mediaaddicts.com/pict/sylvia/poster.jpg

Summary
Sylvia is seemingly a quiet, reserved, saintly person living on a quiet, reserved well-manicured street in upper-middle class suburbia. However, Sylvia is hiding a secret - she has a multiple promiscuous personality disorder. However, one of her other personas is about to cross the line.

Wild Side [Director's Cut] (1995) - Donald Cammell



Summary taken from imdb.com:

A bank accountant, whom moonlights as a high-priced call girl, becomes embroiled in the lives of a money launderer, his seductive wife, and his bodyguard whom blackmails her to help the FBI entrap him with his latest money laundering scheme.

La morte vivante aka The Living Dead Girl [Uncut] (1982) - Jean Rollin



Quote:
Thought of by some as the last truly great film of Jean Rollin's career, the 1982 feature La Morte Vivante (The Living Dead Girl) is a fascinating but flawed feature graced with two of the most unforgettable performances in all of Rollin's canon. A frustrating work brought to life by some of the most iconic imagery seen in a Rollin film, The Living Dead Girl is a simultaneously ferocious and poetic work deserving of its reputation as one of Rollin's most important films...

19/09/13

Sex in ’69: The Sexual Revolution in America (2009) - Mark Page

http://i243.photobucket.com/albums/ff26/CryingDutchman/sx69cover.jpg

Travel back to 1969 and uncover fascinating trends, people and events that forever changed the way Americans think about and have sex. Viewers will travel from the Playboy Penthouse in Los Angeles to San Francisco's Hippie crash pads, the boardwalk in Atlantic City, a court room in Miami, and other spots across America to meet some of the women and men who found themselves caught between old values and new desires in 1969, and decided to do something about it. Some of them, like Playboy publisher Hugh Hefner, actor Jim Brown, and Ray Manzarek of The Doors, will be famous. Others will be average Americans whose lives were transformed by the sexual tides coursing through the nation as the Sixties came to a close. But they will all have one thing in common—they will all have fascinating stories to tell.

18/09/13

Diary of a Nudist (1961) - Doris Wishman



From imdb:

Quite honestly, this film is crap. It's laughably written, woodenly acted, badly filmed and dubbed, and contains only a wisp of a plot. It's also pretty boring. And yet, I couldn't look away! Must have been the wall-to-wall nudity, the whole raison d'etre of this turkey.

It's quite refreshing to see so many beautiful naked women circa 1961. There's no silicone to be found, and these women look happy, healthy and well tanned. Watching them cavort for the length of this movie is a pleasure, but it's the only pleasure you'll get out of this lame duck.

The nudity must have been racy in its day, but today it's strictly PG. There's plenty of breasts and buttocks, both male and female, but none of the nasty bits. In fact, all the nudists either cover their genitalia with some object - a newspaper, a towel - or, they deliberately turn their hips away from the camera as they walk by. At one point there's a volleyball game taking place: the team with their backs to the camera is completely nude, but the team facing it are all wearing swimsuit bottoms. It's pretty silly stuff, but the charm lies in seeing such an abundant display of T&A in such an old film.

17/09/13

Balti armastuslood (1992) - Peeter Urbla



Three episodes from three Baltic nations, all about lost love. In Estonia a political prisoner is set free. Meanwhile his best friend had stolen his girl and now defends his political cowardice: "Some of us must be left outside the prisons to pursue the political fight." - In Latvia a Russian soldier has a Latvian girlfriend. Her Latvian friends accept her boyfriend. But his two closest soldier friends beat him up, tear the clothes of his girl and threaten to rape her. The loving couple understands that they cannot continue their relationship. - In Lithuania a priest student and an Estonian stripper fall in deep love. The student's uncle is an enlightened priest who says: "I bless you whatever road you choose to go." The couple sleep together and agree to meet at the railway station the next morning and go to Estonia. But when the student comes home his uncle has died... (written by Max Scharnberg)

16/09/13

Une femme aux abois AKA The Slave (1962) - Max Pécas



From the catalog:
Lovely Evelyn and her hunky boy-toy Bob are happily enjoying an extramarital French-countryside romp in an elegant cottage when Evelyn’s older half-brother Maurice and his spooky-but-shapely sex-bomb girlfriend come sauntering in with a gun, a briefcase full of cash, and some naked pictures of his sis when she was a desperate young model who didn’t know any better. There’s been a robbery and a shooting, and nasty Maurice is on the lam and doesn’t have much to lose.

14/09/13

Sev Beni aka Love Me (1979) - Yücel Uçanoğlu & Semih Evin



It was directed in 1979 and Zerrin Dogan , Bulent Kayabas are starring in this movie. A couple had a plane crash and they took refuge to a man's house.

13/09/13

Manji (1983) - Hiroto Yokoyama



Quote:
An older married woman, Sonoko, catches the beautiful Mitsuko watching her shoplift one day. Afraid of being turned in to the police she follows the younger woman home. After hanging about outside for a while feeling nervous Sonoko rings the doorbell and introduces herself. She offers Mitsuko money to keep her mouth shut. Mitsuko, as emotionally unstable as Sonoko herself is insulted and tells her to put her money away. This is where the interaction takes a more bizarre turn. Sonoko, apparently feeling like she owes Mitsuko something gets flustered, this catches on to Mitsuko and the women begin to physically struggle with each other. Some milk is spilt. Mitsuko suggests Sonoko lick it up off the floor. She does so, then they get aggressive again and start trying to hit each other. They tire of that eventually and Mitsuko herself takes a drink of milk from off the floor. I guess this strange sequence of events was supposed to mark their meeting for the bizarre relationship that follows. The whole film has weird, kinky scenes scattered all the way through, including a lot of role-playing games and random smacking on the face. The plot however is fairly simple. A married woman falls in love with a young and beautiful girl. Girl comes between woman and husband. Girl has affair with husband. Older woman kills herself. The ending was very confusing, and it wasn't made clear how Sonoko died or why she did it, since Mitsuko had already tried to get back together with her. However, I believe Mitsuko's character was meant to be unemotional, and the story about emotional reactions to her.

08/09/13

Vibrations Sexuelles (1977) - Jean Rollin

http://i46.fastpic.ru/big/2013/0512/4d/fce36b6d9aa4e8f2391662179f12324d.jpg

Synopsis:
Alban has a problem and that's why he's on his psychiatrist's (B. Lahaie) couch. He somehow doesn't feel anything anymore during sex. Mentally, nothing is moving up in his grey matter, says Alban. She recommends total sex-therapy with four women. To no avail. But, thinks the cheeky Freud-scholar, Alban would be quite the catch. Wedding in Paris, drawing chalk hearts on walls, and all is well: Soul, mind and flesh are harmonically rejoined.

Dildo Heaven AKA Desperate Desires (2002) - Doris Wishman



sensesofcinema.com wrote:

Dildo Heaven (2002)
Directed, written and produced by Doris Wishman. Cinematography: Kent Rayhill. Featuring: Mickey Garcia, Elizabeth Ash, Everette, Jerry Hart, Dr. Faust, Edward L. Sharp, Christina K. Caramba, Chris Mullarky, Tom Smith, Syd Garon, Jeff Williams, Phillip K. Stryker, Jensen Press, Cindy Burrows, Bill Matten, Skippy. Also known as Desperate Desires. Color. Juri Productions.

Doris had been making this direct to video feature for about seven years. She may have shot some footage for it in the mid-1990s but most of it was filmed in 1999 and 2000. It took her a while to raise the money and devote the time needed to edit it. Along the way she met Beau Gillespie who was struggling to edit his low budget film. Gillespie decided to produce Wishman’s next film about the same time Elite was preparing A Night to Dismember for DVD release, which led to the commentary track recording that re-united Wishman and C. Davis Smith. They decided to try and work together again after Wishman finished the film for Gillespie.

Lolita am Scheideweg (1980) - Jesús Franco



Synopsis:
Yet another of Franco's variations on De Sade's PHILOSOPHY IN THE BOUDOIR. While it lacks the star power and scope compositions of DE SADE 70 and the hardcore grunginess of COCKTAIL SPECIAL, EUGENIE 80 is one of Franco's best works of the eighties and has the elegance of the Harry Alan Towers production and is satisfyingly explicit without being XXX. Eugenie (Katja Bienert) is on vacation with her family (the resort is the same ornate building used in SHE KILLED IN ECTASY and THE PERVERSE COUNTESS) and is noticed by a decadent couple who seduce her parents in order to initiate Eugenie into their games of perversion. Franco's eighties regulars Antonio Mayans and Tony Skios are on hand as well as Lina Romay as the decadent couple's "pet dog." A must see.

07/09/13

Q (2011) - Laurent Bouhnik

http://i.imgur.com/cpOtq.jpg

Review from thefilmdb.co.uk
Q' opens with a heavy dose of nudity - a shower scene shot from the neck down as multiple naked women engage in conversation. We don't see their faces, just their bodies. Writer/director Laurent Bouhnik holds the shot long enough for the scene to evolve from titilation into something more, establishing leaders and followers of the group.

As the film progresses, more leaders and followers emerge to whom sex is seen as either a weapon/threat or a comfort/shield. Our throughline is a vivacious young, sexually dominant girl (Deborah Revy as Cecile) whose desire upturns the cast of characters.

Q' uses unsimulated sex scenes to establish these powerful relationships. The images are both tasteful and resonant. The actors come across as brave and natural, but the script doesn't offer enough solid material to sustain what we are seeing.

This is a curiously drawn and handsomely staged work, miles away from being another sleazy drama, but it's a victim of its own fragmented narrative.

Mi Tao Cheng Shu Shi 33D aka The 33D Invader (2011) - Man Kei Chin



Plot / Synopsis:
A woman arrives from the future in search of the healthiest human genes. Meanwhile, a pair of evil villains also follow her back in time to stop her quest ...

Blue Movie AKA Fuck (1969) - Andy Warhol



Summary:
Producer/director/cinematographer Andy Warhol presents an afternoon in a Manhattan apartment where Viva and Louis discuss social issues while lying in bed. Louis makes sexual advances and Viva giggles; they indulge in sexual foreplay and then intercourse. They talk about the Vietnam War, watch television, get dressed, eat, discuss Louis's unhappy marriage, and finally take a shower, more and more aware of the presence of a camera. After more sex play in and out of the shower, Viva stares at the camera and asks, "Is it on?"

Cast:
Viva ... Herself
Louis Waldon ... Himself

In German, from German sat TV

L'amant de poche AKA The Pocket Lover (1978) - Bernard Queysanne



At 25, Helena (Mimsy Farmer) is "middle-aged" for a prostitute. When 15-year-old Julien's callow friends try to pick her up (not knowing that she is a prostitute), she allows Julien (Pascal Sellier) to win her favors. Something about him appeals to her, and she sees him from time to time. Bespelled by his first sexual and romantic experiences with her, he is at first blind to the nature of her profession but gradually understands it. Meanwhile, she has come to care for the boy more than she planned to, and to keep from causing him further harm, she breaks off with him. Even though Julien is devastated, his father, an understanding man, is able to help.

06/09/13

Le sexe enragé aka The Red Cunt (1970) - Roland Lethem

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Quote:
Roland Lethem (born 1942) is a Belgian filmmaker and writer.

Influenced at his beginnings by Buñuel, Cocteau, the surrealists and by the Japanese cinema (Seijun Suzuki, Ishirō Honda, Kōji Wakamatsu, Yoko Ono), stunned by the Festival of the film expérimental of Knokke in 1967 and by May 1968, Roland Lethem wants to push the people to look at the things of which they say they are freed, it's to say to place them in front of their responsibilities. Even if sometimes the results leaves much to be desired, the idea of each one of his films is seductive and exemplary. A fact is certain, his films are disturbing, they are sometimes unpleasant to look at. The narcissistic and provocative play of the debuts turned itself into direct, visual, and verbal insult, and in slandering. His dream was one moment to be able to film the intimate life of the pope or the sexual plays of the Belgian sovereigns. Through violence, pornography and cruelty of some scenes, Roland Lethem is a gentle, generous man with of a lot of humour. The work of Roland Lethem evolves, becomes political, ecological. La Ballade des amants maudits (The Ballad of the cursed lovers, 1966) or La Fée sanguinaire (The Bloodthirsty Fairy, 1968) still tell stories. Les Souffrances d'un oeuf meurtri (The Sufferings of a ravaged Egg, 1967), poem of love in several parts (Étoiles/Stars, Corps/Bodies, Hymen/Marriage or Hymen (ambiguous in French), Oeuf/Egg) dedicated to all who conceive and to all who are conceived, irresistibly makes you think at the Histoire de l'oeil (Story of the Eye, 1928) of Georges Bataille.