Thursday, January 29, 2015

Joe de Palmer - Cécilia et les autres femmes au bordel (1980)



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Synopsis:
Cécilia is fed up with her husband who keeps on watching TV, drinking beer, belching and picking his teeth. After some fun with the plumber (not so frequent nowadays, are they?), a postman bringing a telegram, a salesman and a female nurse, Cécilia agrees on going to the "maison de rendez-vous" (what's the English for...) owned by one of her female friends. Just watching at first, she quicly gets attracted by money and gets down to work. From now on her husband will have to pay for her "services".

Chusei Sone - Showa onnamichi: Rashomon AKA Naked Rashomon (1972)



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Quote:
As he had done for Rashamen Oman: Ame No Oranda-zaka and its sequels, former Seijun Suzuki disciple Chusei Sone borrowed his master's screenwriter, Atsushi Yamatoya (Koya No Dacchi Waifu) for this fascinating pinku eiga film. Despite the title, the film bears little in common with the classic Rashomon, and only the second half takes place in the Showa era, but it is nonetheless among the most interesting films of its type. Hideaki Ezumi stars as a powerful marquis named Katsuragawa, whose prostitute mistress (Hitomi Kozue) bears him twins. Being that twins are considered bad luck, the babies are separated at birth, with Ezumi raising the boy and Kozue raising the girl. Nineteen years pass, and the blissfully ignorant twins (also played by Ezumi and Kozue) meet and fall in love. By coincidence, Kozue just happens to be a prostitute like her mother, and the cycle continues. Stylish, surrealistic, and often just plain weird, this Nikkatsu release made a star of Kozue and reinforced Sone's position as the studio's most inventive director.

Wednesday, January 28, 2015

Andrew Repasky McElhinney - Story of the Eye (2004)



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MOVIE REVIEW

From The New York Times

Inspired by the notorious 1928 pornographic novel by Georges Bataille, the patron saint of postmodernism, Andrew Repasky McElhinney's "Georges Bataille's Story of the Eye" is a genuine independent film, with no commercial prospects and no economic reason for being. It is a strange, beautiful, disturbing and at times literally painful work, an original and distinctive expression by a gifted young Philadelphia-based filmmaker who here confirms the talent he displayed in his 2001 film, "A Chronicle of Corpses."

If Bataille's novel was an attempt to write that which should not be written - it is his work that introduced the notion of transgression, the violent, ecstatic breaking of taboos that became so important to postmodern thinkers like Michel Foucault and Susan Sontag - Mr. McElhinney's film is an attempt to show that which should not be shown. That means hard-core sex, performed in all the possible permutations by a fearless young cast.

Gunter Otto - Die Samenräuberinnen (1980)



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Synopsis:
Helga is a perfect secretary. Although engaged, she accepts her boss's advances provided he rapes her. When a maid and the nightwatchman come along, they play a foursome. Mrs Fritz, the boss's wife gets a glimpse of the situation and locks herself in with the nightwatchman for some fun of her own. The husband watches them through the keyhole and gets a spurt in his eye (Kolosalle Pi kanterie, I guess!). After being sacked, Helga finds a job as a waitress in a cafe and has fun with bowling players both male and female. A very boring movie although the main role was played by a very convincing actress.

Friday, January 23, 2015

Deni Cavalcanti - Aluga-se Moças (1982)



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Unintentionally, the film also won fame for a reason parallel: the primary error of agreement of the title (the correct is “for rent”), including being the subject of college entrance examination in question. The huge success of the film spawned a sequel: for rent two girls in 1983 without the participation of Gretchen and explicit sex scenes grafted.

Monday, January 19, 2015

Norifumi Suzuki - Furyô anego den: Inoshika Ochô AKA Sex and Fury (1973)

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Sex & Fury, one of the wildest, most violent, just-plain-entertaining Japanese sexploitation pictures from the 1970s stars smoldering young 'pinky violence' actress Reiko Ike (veteran of the Girl Boss aka Sukeban film series) as Ocho, a gambler and pickpocket in Meiji Era Tokyo. After sheltering a fleeing anarchist, Ocho encounters the three villains responsible for her father's murder, and runs afoul of various yakuza who want her dead. A European spy (beautiful Christina Lindberg, star of Thriller - A Cruel Picture), whose sadistic diplomat boss has his own nefarious plans, complicates matters. A riproaring action saga filled with beautiful bodies, bloody swordplay, and psychedelic imagery -- all beautifully photographed in a number of astonishing setpieces. Directed by Norifumi Suzuki (who fathered the Sukeban genre), Sex & Fury transcends the pop culture realm to achieve genuine art. Followed by the outrageous sequel, Female Yakuza Tale - Inquisition & Torture (also available from Panik House), it's the best film you've never seen!

Noribumi Suzuki - Ero Shogun to 21-nin no Aisyou AKA Lusty Shogun's 21 Dolls (1972)



A new Shogun rides into town but instead of taking care of his administrative duties he just gets laid. A lot.

Liliana Cavani - Interno Berlinese AKA The Berlin Affair (1985)



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Review I

In 1938 Berlin, Gudrun Landgrebe, wife of Nazi functionary Kevin McNally, begins taking art lessons. She makes the acquaintance of another student, Japanese ambassador's daughter Mio Takaki. Soon afterwards, the two women begin a passionate lesbian affair. This leads to a chain reaction of disaster and tragedy, culminating with the inevitable intervention of the Gestapo. Despite the film's galloping sexual passions, The Berlin Affair is an exercise in aloofness, keeping the characters at arm's length-surprising, considering that the director was Liliana Cavani, auteur of the erotic classic The Night Porter (1974). The film was based on The Buddhist Cross, a novel by Junichiro Tanizaki. ~ Hal Erickson, All Movie Guide

Thursday, January 15, 2015

Erwin C. Dietrich - Blutjunge Verführerinnen 3 aka The Calendar Girls (1972)



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A hitchhiking runaway tells the man who picks her up about her friends' sexual escapades.

IMDb comment:
Delicious sex scenes with Ingrid Steeger, towards the end are of a different order.
For the most part the sex scenes are awkward and the links abysmal while the ongoing devise whereby the fat guy provider the lift gets told the various tales adds nothing. However the delicious sex scenes with Ingrid Steeger, towards the end are of a different order altogether and the final potentially gross scene with the very large and ageing forest ranger a thing of wonder. Why couldn't Steeger have just done all the scenes? She is not well supported here and it looks like a case of relying a little too heavily on her ability to carry the film. Still, as I say the film is saved in the last half hour and whilst I never want to see most of this little number again, I am sure I could delight again in that fine reel or two.

Erwin C. Dietrich - Der Teufel in Miss Jonas (1976)



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Dirtymoviedevotee from Brugge, Belgium wrote:
The Devil Came From Zürich, 19 June 2010
7/10

By the mid-1970s, hardcore still could not be legally screened in most European countries. That situation would soon change in a few flagship regions like Holland, France and Germany, though others like the UK and Belgium stuck to their guns well into the video era. None of this prevented Old World inhabitants of learning about the explicit extravaganzas that were packing movie theaters on the other side of the Atlantic. As yet unseen, Gerard Damiano's landmark DEEP THROAT and the Mitchell Brothers' BEHIND THE GREEN DOOR built up mythical reputations by word of mouth that could only be damaged by the sobering reality of these merely modest attempts at broadening a genre thus far limited to brothels and stag parties.

Henri Pachard - Babylon blue (1984)



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Synopsis:
Early morning: Martin (Joey Silvera) is released from prison... He served six months for receiving money for sex... Big Money... He's a first class gigolo.
When Missie (Sharon Kane) picks him up and take him home, he's right back where ... Full Descriptionhe began.
Missie has created New York's newestand most sensational House of Pleasure... For Women as well as men. Martin is the new, hot attraction for women. Cheryl (Bridgette Monet) is the new hot sensation for the male customers.
Through a series of sexual events, we see the empire build into a fast paced, erotic journey for both the customers and the professionals.
Moth Bridgette Monet and Joey Silvera want out. However, Sharon kane needs them both, so she devises methods of keeping them on the job. She puts Bridgette to work with "Jack", another male hooker... but it backfires. They fall in love and leave Sharon Kane with our hero, Martin.
What Sharon didn't expect really does her in... She falls in love... The Empire Closes. Martin And Missie look at themselves for the first time, and at each other...

Henri Pachard - Babylon Pink (1979)



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Often imitated, never duplicated, Babylon Pink is the blushing-hot Female Fantasy Film of All Time! The outrageous CECIL HOWARD and HENRI PACHARD join forces for a long- shameless probe into the most intimate erotic desires of the hottest stars in the world! Never before has a film been this nasty- this unforgettable!!! You'll see VANESSA DEL RIO- a tigress in heat...SAMANTHA FOX in total submission...MERLE MICHAELS- an erotic plaything for naughty eurasian ARCADIA LAKE and stud ERIC EDWARDS...GEORGINA SPELVIN - outstripping all her previous performances in unspeakable ecstasy...DEBBIE REVENGE- queen of defiled sensuality - eaten alive by desire...GEORGETTE SANDERS- all wicked innocence and burning curiosity...and more! For seasoned - willing adults ONLY- this Adult Film Asssociation BEST PICTURE OF THE YEAR is required viewing for anyone who wants the best possible erotica!!!An Erotic Experience For The Experienced Eroticist...

Saturday, January 10, 2015

Annelise Meineche - Uden en trævl aka Without a Stitch (1968)



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When a high-school girl complains of her inability to reach sexual
climax, her doctor suggests that she keep a diary of her sexual
encounters. She does just that and soon finds herself caught up in
a sexual merry-go-round that includes making a hardcore porno film
in Sweden, an escapade with a German sadist and a lesbian
encounter.

Ernst Hofbauer - Sex in the Office (1971)



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Description: A German "Report" movie with man in the street interviews and stories illustrating the perils of sex in the workplace.

Richard Franklin - The Oral Generation (1970)



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Quote:
Presented by “Family Studies Institute” THE ORAL GENERATION purports to be the first sexual instruction film aimed at liberated women; although it’s focus is of course on how a woman can please a man (or how a woman can please a woman with a man watching) in a non-conventional manner. The narration describes the greater availability of literature on sexuality aimed at female readers (although what we are shown on-camera are the usual texts from Kinsey to Krafft-Ebing to "The Joy of Sex" and "The Sensuous Woman" as well as the usual porn magazines) as well as female-focused films (during a montage of 42nd Street porn theater marquees). The oral sex interludes intercut with this academic discussion take the form of anecdotes by wives surprising their husbands in the showers or role-playing as their husbands secretaries (the only interlude that is remotely arousing in its rhythmic and escalating intercutting). There's also a bizarre vignette involving a black samurai and a ménage a trois. Credits are non-existent for this one, but one of the performers appears to be Tina Russell (the 1970 date comes from Vinegar Syndrome's back cover).

Thursday, January 8, 2015

Júlio Bressane - Filme de Amor (2003)



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Quote:
Two Girls and a Guy meets An Affair of Love in this erotic melodrama from the venerable Brazilian auteur Julio Bressane. The aptly-titled A Love Movie focuses on three philandering characters in Rio de Janerio who gather to discuss and philosophize on the subject of love, occasionally putting their theories into practice over the course of various trysts. Shot in black-and-white and color, A Love Movie premiered in the Director's Fortnight segment of the 2003 Cannes Film Festival.~ Michael Hastings

Wednesday, January 7, 2015

Eberhardt Kronhausen & Phyllis Kronhausen - Freiheit für die Liebe AKA Freedom to Love [English dub] (1969)



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Here’s something different... a vintage West German "white coater" hosted by bonafide sexologists PHYLLIS and EBERHARD KRONHAUSEN. And rather than rolling out the usual sex loops disguised as educational aids, the Kronhausens argue that sexual freedom (the "Freedom to Love") ultimately benefits society, and that sexual suppression leads to criminality and divorce.

To prove their point, the scholarly couple present dramatizations of four cases from their files. The first involves a young mechanic who discovers the shocking truth about his sexually voracious girlfriend as he’s taken into custody by the vice squad... In the second segment, a lesbian couple are "outed" to the police by their outraged neighbors... And following a grim segment about illegal abortion, the final -- and most explicit -- vignette demonstrates how a troubled marriage is rescued when the lachrymose lovebirds join a raunchy swing club...

Phyllis Kronhausen & Eberhardt Kronhausen - La Foire aux Sexes AKA The Hottest Show in Town (1973)



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A small circus turns to nude performances and live sex shows in order to survive
financially. The cast also have it away in their caravans.
As with other 70s Danish films the hard core versions seem to be shorter
than the soft core ones.
There are many unknowns. Some of them may have appeared in other films.
Others probably did not. There may some duplication among the unknowns for this film.

Jean-Claude Brisseau - À l'aventure (2009)



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A sexually unfulfilled young woman embarks on a series of graphic erotic encounters and becomes involved with a student of psychoanalysis who offers to put her under hypnosis. Yes, the notorious Jean-Claude Brisseau, director of The Exterminating Angels and Secret Things, is back with his latest provocation. Another idiosyncratic philosophical meditation on the enigmas of female sexuality, it features the director's latest discovery, Carole Brana. Pretentious smut for high-brows, a dirty old man's fantasies writ large, or a profound and daring exploration of society's sexual taboos? You decide.

Shuji Terayama - Les Fruits de la passion AKA Fruits of Passion (1981)

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from IMDB......Though the film concerns the "O" and Sir Stephen characters, it really has nothing to do with Pauline Reage's original novel or the 1974 film The Story of O. However, the film does pay attention to artistic detail and symbolism of an almost mystic kind. "O" decides to prostitute herself for Sir Stephen in violent 1920s Hong Kong. Her mission is to prove her unending devotion and love for her master through giving her body to other men. Naturally, Sir Stephen enjoys watching her during her unpleasant sexual escapades and even finds himself a mistress. However, the tables are turned when "O" actually finds a kind of love with a young male admirer. Suddenly, Sir Stephen feels the threat...

? - The Opium Den (1935)

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"The Opium Den, from 1935, follows. Three jacked-up junkies pretend to bugger each other with sausages, dildos, and bananas. Lucky for them a lady shows up to provide them a heterosexual outlet for their desires. Oddly, they spend an inordinate amount of time smoking, laughing, and fiddling with their disguises. Yes, these folks are wearing fake noses, heavy make-up, and glasses. Their disguises lay bear the reality of how taboo pornography must've been in the 1930's, especially when one considers the setting for their sexcapades, an opium den. Only junkies and degenerates have illicit sex and take illicit drugs, right? Well, at least the conflation of drugs and sex probably made the "upstanding" middle-class consumers of this stuff feel superior to the bodies projected on their walls. Eventually everyone gets nude, two of the men leave, and a chunky fellow slides his long screwdriver into The Night Mare. The fucking is pretty hot, The Night Mare seems to have mysterious gripping powers inside of her vagina--she almost consumes and spits out the junkie's cock with every thrust. The junkie pulls out and ejaculates all over himself."

Joe Swanberg - Kissing on the Mouth (2005)

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AMG: The low-budget, direct-to-video erotic drama Kissing on the Mouth explores the erogenous trials and travails of a clique of college grads. It concerns Ellen, a young woman sleeping with her ex-boyfriend and bucking his attempts to re-instigate a serious romantic commitment. Meanwhile, she does her best to ignore the increasingly possessive and suspect behavior of her flatmate, Patrick. The film (shot by its cast) is marked by graphic sexual content and frank, explicit discussions of coital behavior. For added realism and authenticity, the directors work in a number of documentary-style interviews with college graduates.

Maria Beatty - Ecstasy in Berlin, 1926 (2004)



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Quote:

ECSTASY IN BERLIN, 1926
2004 in b&w and tinted
A film by Maria Beatty
Duration: 45 minutes
Starring: Sonya Sovereign and Paula Rosengarthen
Music by Nick Holmes

THIS DECADENT AND LUMINOUS FILM IS A NEW ACHIEVEMENT IN THE REALM OF EROTICA!

A golden Weimar beauty slips a needle into her creamy thigh, and while in her euphoria slips into erotic fantasy. It begins with a white-gloved hand at her throat, emphasizing her vulnerability and surrender, followed by a lingering, deliciously thorough kiss from a stunning and powerful woman. She drifts through a variety of exotic experiences, all made possible by her dazzling submission and her partner’s absolute command. Her perfect flesh is alternately spanked and caressed, her lips kissed and then forced to worship a fine leather boot. She dreams of being strictly corseted, whipped, and bound, and led to a glowing, graphic climax.

Both delicately sensual and sexually intense, it conveys all the dangerous rewards of passion indulged. To enjoy "Ecstasy in Berlin 1926" is to experience the delirious, consuming, and glorious fever of obsession itself.

? - Messe noire aka Black Mass (1928)



PLOT SUMMARY
Vintage porn from the silent era in which the initiation of a neophyte into a satanic cult turns into an orgy.

Piero Schivazappa - Femina Ridens AKA The Frightened Woman (1969) (DVD)

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Witness the ultimate subjugation of a woman to serve the most twisted desires of man in the achingly hip ‘n’ horny Femina Ridens, where the kinkiest urges are played to a deadly conclusion…

The beautifully sensuous Dagmar Lassander stars as Maria, the living sex toy of Dr Sayer (Philippe Leroy) who delights in killing women at the point of orgasm. Sayer’s prolonged campaign of degradation pushes Maria right to the edge of death but the spell she casts on him will lead to the most extraordinary climax of a lifetime!

Stylish, imaginative and deliciously twisted, this kitschy 60s pop art erotica-fest boasts gorgeous set design, an even more alluring leading lady and a heady desire to please the viewer with increasingly bizarre and dangerous sex games.

Jonas Middleton - Through The Looking Glass (1976)





Without question one of the true classics of hardcore, Through the Looking Glass is yet another perfect example (like Café Flesh or even Thundercrack) of how porn can be used to craft and/or embellish a film so it works as erotica as well as a legitimate movie. Also released in a highly successful 'R' rated version, without the hardcore sex, "Glass" is a genuinely engaging and nightmarish supernatural/possession story with some superbly crafted sequences. The film is just alive with decadence and taboo, eroticism and depravity.

The effective music score, of harpsichord ditties and female harmonies, is co-credited to Harry Manfredini of all people, who would go on to do the classic Friday the 13th score. And this period sounding music works perfectly in highlighting the decadence of the movie…one of the most powerful and unusual hardcore films ever to be produced, and as such is nothing less but essential viewing for any fan of Exploitation, and extreme Underground cinema.” - Beardyfreak.com

Henri Pachard - The Budding of Brie (1980)



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Synopsis:
"Travel back to Hollywood in 1950, where a starlet could be made overnight-if she had the right assets! Brie Livingston has everything it takes, and uses her sexual charms to make Hollywood do her bidding. A big-budget theatrical feature! Hillary Summers pulls off the slutty ingenue in this spoof of the adult version of A Star is Born or A Star is Porn. One of the classics with a solid, if not familiar, plot."