Acosada AKA The Pink Pussy Where Sin Lives (1964) -Alberto Dubois

An attractive songstress lands herself a performing contract and leaves her home in Buenos Aires. She travels to Venezuela, and when arriving in Caracas, she soon discovers that her contract is a hoax made by a major drug baron.

Fiebre AKA Fever (1971) - Armando Bo

Sandra (Isabel Sarli) was married to a racehorses landowner. They do not love each other. One day, while walking, she meets Jose Maria (Armando Bo), a hard woodsman. They become lovers; and the basis of the relationship is unrestrained sex, irresistible to both. But, after some time, the husband finds out the relationship.

Desnuda en la Arena (1969) - Armando Bo

Sarli plays the role of Alicia who is left behind with a young son when her husband goes to Panama to work. She has affairs with various men, which lead to extortion.

El último amor en Tierra del Fuego (1979) - Armando Bo

 

 The conflict of a good man fighting between two loves: the violent love for a fascinating woman and the tender love for the little son, orphaned of a mother.

 

Las colegialas aka Las Colegialas Se Divierten (1986) - Fernando Siro

The main plot involves the school director bringing in a female inspector to clean up the school. This worries the students for some reason to the extent that they confront the inspector at her house and accidentally knock her out. They then decide to kidnap her and replace her with the sexy stripper "aunt" of one of the girls. The real director meanwhile falls madly in lust/love with one of her male captors after they eat an erotic meal of fruit and sausages together. Meanwhile a goody-good student and her hypocrite father begin to suspect the ruse... First a classic Brazilian erotic. Looks like a move about a young girl who keeps fantasing about anal with a black man...

Habeas Corpus (1986) - Jorge Acha

Quote:Four days’ captivity in a Tragic Holy Week, when the regime received Pope John Paul II and the radio and televisión recounted and showed how Videla ate his wafer and tríed to purge his sins. In the meantime, in the clandestine cells, thousands were being tortured and killed. This film is the catalog of the perceptions, memories, delirium, physical condiiion of a prísoner at the most horrible moments of his confinement: dead times dragging on in between torture sessions. The time when he realizes that he has a body made offragments. There maynot be in all Argentine cinema history, such a detailed exploration of the qualities and powers that a body may engender.