Let Me Die a Woman (1978) - Doris Wishman

Christopher J. Jarmick wrote:
A fairly serious pseudo-documentary, which captures the lifestyles of several transsexuals in various stages of changing their gender. Dr Leo Wollman M.D. was a legitimate practicing doctor who is our guide through this one of a kind, once shocking film that features some footage of operations that are not completely revealing but not for the squeamish. There are some scenes of probing of a constructed vagina and shots of men with artificially developed breasts. Then there are several staged soft-core scenes thrown into the film to add to the hodgepodge. Dr Wollman occasionally makes statements like “not all dildos are used for medical purposes.” Note: actual on screen credits were not available to verify credits. From the advertisements: "All True! All Real! See a man become a woman before your eyes!", “Born a Man . . . Let Me Die A Woman”, “Torn from Today's Headlines.”

O Zestos minas Avgoustos AKA TheHot Month of August (1966) - Sokrates Kapsaskis & Doris Wishman

Quote:
While vacationing in Greece with her second husband, Louis Silverman (although she wasn’t all that keen in taking his surname in marriage, director DORIS WISHMAN was more than happy to add her hubby’s handle to her ever-expanding list of pseudonyms), Wishman stumbled upon a small-time film company in desperate need of funds, ultimately returning home with the rights to The Hot Month of August and Passion Fever – purloining both productions for less than $4000. En route back to New York, Doris absentmindedly left her briefcase containing both August and Fever’s translated scripts on a train, forcing her to rewrite the narratives from scratch while overdubbing the original dialogue (a prevalent practice throughout her entire career).

Diary of a Nudist (1961) - Doris Wishman

From imdb:

Quite honestly, this film is crap. It's laughably written, woodenly acted, badly filmed and dubbed, and contains only a wisp of a plot. It's also pretty boring. And yet, I couldn't look away! Must have been the wall-to-wall nudity, the whole raison d'etre of this turkey.

It's quite refreshing to see so many beautiful naked women circa 1961. There's no silicone to be found, and these women look happy, healthy and well tanned. Watching them cavort for the length of this movie is a pleasure, but it's the only pleasure you'll get out of this lame duck.

The nudity must have been racy in its day, but today it's strictly PG. There's plenty of breasts and buttocks, both male and female, but none of the nasty bits. In fact, all the nudists either cover their genitalia with some object - a newspaper, a towel - or, they deliberately turn their hips away from the camera as they walk by. At one point there's a volleyball game taking place: the team with their backs to the camera is completely nude, but the team facing it are all wearing swimsuit bottoms. It's pretty silly stuff, but the charm lies in seeing such an abundant display of T&A in such an old film.

Dildo Heaven AKA Desperate Desires (2002) - Doris Wishman

sensesofcinema.com wrote:

Dildo Heaven (2002)
Directed, written and produced by Doris Wishman. Cinematography: Kent Rayhill. Featuring: Mickey Garcia, Elizabeth Ash, Everette, Jerry Hart, Dr. Faust, Edward L. Sharp, Christina K. Caramba, Chris Mullarky, Tom Smith, Syd Garon, Jeff Williams, Phillip K. Stryker, Jensen Press, Cindy Burrows, Bill Matten, Skippy. Also known as Desperate Desires. Color. Juri Productions.

Doris had been making this direct to video feature for about seven years. She may have shot some footage for it in the mid-1990s but most of it was filmed in 1999 and 2000. It took her a while to raise the money and devote the time needed to edit it. Along the way she met Beau Gillespie who was struggling to edit his low budget film. Gillespie decided to produce Wishman’s next film about the same time Elite was preparing A Night to Dismember for DVD release, which led to the commentary track recording that re-united Wishman and C. Davis Smith. They decided to try and work together again after Wishman finished the film for Gillespie.

My Brother's Wife (1966) - Doris Wishman

A little info about Doris Wishman:
by Jens Hellroute
"After I die I will make movies in hell!" was a line Doris Wishman, the most prolific female independent filmmaker ever, stated many times. Well, I hope Beelzebub treats her nice because the queen of sexploitation cinema left us on August 10, 2002, in Miami. Like many ladies she lied about her age, but her nephew Norman Wishman recently informed the world that Doris was born July 23, 1912, which makes her an impressive 90 at the time when she sadly lost her long battle with lymphoma cancer.

Bad Girls Go to Hell (1965) - Doris Wishman

After hubby Ted goes to work, Ellen putters around the apartment in her nightgown cleaning up. When she takes the trash out, the janitor forces her into his apartment and rapes her. When he tries to rape her again, she dispatches him and then hits the road, a fugitive from injustice. She goes to the Big City and encounters a string of situations where she gets used and abused. When she finally finds a nice woman to rent from, the woman's son turns out to be a detective, which threatens her newly found identity and peace of mind.

The Immoral Three (1975) - Doris Wishman

Three sexy women, raised separately as orphans, are summoned to a funeral, where they learn that they are in fact sisters and that the dead woman was their mother. The latter had been a secret agent – the notorious Double Agent 73 (a reference to Wishman's earlier "Chesty Morgan" flicks) – who had been murdered in the line of duty. (The actress shown playing her in flashback bears very little resemblance to that formidably proportioned actress-stripper, especially at the bust level -- but of course, who could?). She had used her feminine wiles (if you know what I mean) to seduce and betray enemy agents, but was rather careless in executing this modus operandi – the unwanted daughters being one of the job hazards. The executor of the will tells the girls that they can inherit a cool million each as long as they can track down their mother's killer within one calendar year. Plenty of absurd violence and nudity ensues.

Indecent Desires (1967) - Doris Wishman

Description:
Blonde (wigged) and beautiful New York City model Sharon Kent (who was also a favorite of Barry Mahon) stars as Ann, a lovely secretary whose life is perfect. Her best friend Babs (middle-aged and buxom Jackie Richards) works with her in a friendly office and her boyfriend Bob recently proposed to her. Her world comes crashing down around her, however, when a creepy bespectacled geek (Wishman regular Michael Alaimo) begins stalking her. Through a supernatural mishap (which is never explained, but who cares?), the stalker finds a blonde doll and a tacky ring in the garbage can and suddenly, everything he does to the doll, Ann can feel being done to her! As the loser whips, feels up, undresses and puts a cigarette out on the doll, Ann feels every bit of it, and begins to believe her mind is unraveling. Babs is too busy whoring it up with a foreign sleazeball (Buck Starr, of TOO MUCH, TOO OFTEN) and Bob is away on business. Can she escape this hell?

Love Toy (1971) - Doris Wishman

He knew all the games... she was the plaything

DORIS WISHMAN, the First Lady of Exploitation, makes the ultimate Deviate’s dream come true with this extraordinarily demented piece of celluloid sickness.

A degenerate gambler, unable to come up with the cash necessary for a high stakes poker game, bets his nubile daughter. And loses. His daughter immediately becomes the delectable property of a hot-to-trot sex fiend and the film promptly becomes a catalogue of perversion, wallowing in domination, humiliation, fetishism, voyeurism, masturbation, lesbianism, spanking, bondage, blowjobs, incest, and more. You’ll be showering for days after this one!

Hideout in the Sun (1960) - Doris Wishman

Synopsis: Two brothers rob a bank and take a young girl hostage. They find out that the girl is a nudist, so they force her to take them to a nudist colony so they can hide out.

Gentlemen Prefer Nature Girls (1962) - Doris Wishman

Synopsis:
Anne and Tom, a married nudist couple, work in a real estate office. When the agency's owner discovers that Tom is a nudist, he fires him. Unfortunately, Tom was just ready to close a big real-estate deal with Al Jenkins. Tom goes to his favorite nudist camp to take his mind off his problems and discovers that Al Jenkins is also a member of the nudist camp. Together they come up with a plan to get Tom's wife and their boss to get to the nudist camp so they can close the deal.