The Raspberry Reich (2004) - Bruce LaBruce

A comment from an Imdb user:

It's been a while since I saw this film, so I'll talk about as much as I can remember. I happened to catch this film at the Sundance Film Festival. I knew nothing about the directors status or his past work. I heard from others at the festival that this film was straight up gay porn, which caught my interest. Being gay I'm always interested in seeing films with gay themes. I assumed the people were wrong. To my sexual arousal they were right! Almost...The film was hilarious, glamourizing the idea of "terrorist chic." In the film a group young of virile young men under the leadership of a woman (Gunfrun) kidnap the son of a wealthy man. This is done to draw attention to their group. Gunfrun is also intent on smashing the idea's considered normal. This was part of "the revolution." One of those idea's was heterosexuality. That's where all the talk of gay sex came into the picture. Some of the most erotic gay sex scene's I've ever seen! Partially due to the fact that these men were heterosexual and also due to the fact that I did not expect actual gay sex with penetration and ejaculation.

The Revolution is My Boyfriend (2004) - Bruce LaBruce

Plot

The core plot begins with the kidnapping of Patrick, the son of a wealthy industrialist. Sexual and romantic engtanglements push the drama forward. At the film's climax, Gudrun delivers a soliloquy on the importance of personal life in revolution. She puts particular emphasis on the breaking of heterosexual and possessive sexual norms, urging her comrades to join "The Homosexual Intifada".

The pressure of Gudrun's controlling personality causes the group to break up. Most of the urban guerrillas escape into the night. In the dénouement, the characters are visited some time later. Several have found happiness in the homosexual relationships established during their revolutionary activities. Che has become a terrorist trainer in the Middle East. Patrick escapes with Clyde, where they embark on a spree of bank robberies. This action is reminiscent of Patty Hearst's actions with the SLA. Gudrun and Andreas settle down and have a child named Ulrike (after Ulrike Meinhof), whom Gudrun believes could embody the next generation of the Red Army Faction.

Hustler White (1996) - Bruce Labruce

From IMDB:
I have seen this film twice and each time see different elements. The film is a 'shocker' not a family film. Graphic S&M, sexual, playful, obscene, realistic and just outrageous. For mature audiences with an open mind. The story starts by bouncing around Hollywood, looking into the encounters of other hustlers and later as the two main characters develop, finishes in a love story. Tony Ward (long time model in magazine & music video) is portrayed as La Bruce's obsession which might have a tragic ending? you'll have to see for yourself!

L.A. Zombie (2010) - Bruce LaBruce

A homeless schizophrenic (François Sagat), thinks he's an alien zombie sent to earth. Roaming the streets of Los Angeles in search of dead bodies, he tries to bring the dead back to life by engaging in homosexual sex.

Super 8 1/2 (1993) - Bruce LaBruce

LaBruce stars in this vaguely autobiographical look at a triple-X star-director caught in the downward spiral of his career. Remarks Googie, the art-house auteur who's either exploiting LaBruce or launching his comeback, "He was actually attempting to break down the whole subject-camera relationship... It was as if he was an existentialist trapped in a porno star's body." Well, almost.

Just as LaBruce's scrawny, hangover aesthetics challenge the conventions of gay porn's Wonder Bread desire, his newly adroit camera unsettles narrative assumptions. A dense weave of self-reflexive interviews, cynical vignettes, and outrageous cameos by "Kids In The Hall" Scott Thompson and drag goddess Vaginal Creme Davis - along with moments stolen almost verbatim from films like Fellini's 8 1/2 and Perry's Play It As It Lays - Super 8 1/2 still manages enough rude sex to keep the whole unruly narrative in your face.