Amanda by Night (1981) - Gary Graver

IMDb synopsis:
A killer is stalking a top class prostitute (Veronica Hart). Two of her co-workers are murdered after visiting a client and a detective (R. Bolla) is brought in. He feels that the cases are linked and that Amanda is also in danger. However, Amanda has no use for police and will not cooperate with him. Finally his charms get her to agree to work together to get the murderer, Unfortunately, when Amanda finally confronts the culprit, the detective has been delayed. Thus Amanda must deal with the murderer herself.

Erika's Hot Summer (1971) - Gary Graver

 

"The film, which is pretty short at 65 minutes, is about a sexually active photographer named Steve who does nude photography for a living. He is able to bed women with his good looks and his prowess in the sack. He meets Sherrie (Montello) at a dance club and they have a relationship. However, one day on the beach he meets up with Erika (Erica Gavin) who is the woman of his dreams and has an affair with her and hoping that Sherrie doesn't find out.

Garage Girls (1981) - Gary Graver

Free Enterprise At Its Very Best

One of the most acclaimed erotic filmmakers in the United States and the world of Robert McCallum, and "GARAGE GIRLS" he has given us a mind-bending, pulse-racing sex romp-from the grease pits of the Garage Girls to the luxurious quarters of their clients. The aura of sex is so strong that you can almost feel it as each of the girls become hotter and hotter! The "GARAGE GIRLS" ride higher and higher to a bursting crescendo of magnificent sex. This is Robert McCallum's ultimate masterwork of Erotica!

3:am (1975) - Gary Graver

carnal-cinema.net wrote:
Though he lacks the ‘name value’ of a Damiano or DeRenzy, Robert McCallum’s filmography is as strong as that of any of his contemporaries. Probably best known for Annette Haven’s breakthrough V – The Hot One, and the gritty thriller Amanda By Night, he directed a string of classics during the late 70s and early 80s. 3AM, his hardcore debut, pivots on the death of a middle-aged man, and reveals how the event plunges his already-dysfunctional family deep into crisis.

How to Undress in Front of Your Man (1970) - Gary Graver

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Peaches and Cream (1981) - Gary Graver

Description:
Annette Haven is surely the most beautiful and satisfying body ever to grace the smoldering adult screen…!’ ‘…Discover the joys of sex, the way this delightfully naïve but excitable farm-girl does and you’ll know why this film was voted 100% by Hustler…!’

The beautiful erotic superstar Annette Haven is perfect as the innocent but ready gal who moves from her farm to the city. Annette’s magnificent body and untried sexual abilities are quickly put to the test as she is immediately confronted by a bewildering and exciting array of brand new sexual opportunities.

V - The hot one (1978) - Gary Graver

Synopsis:
Starring the stunning Annette Haven as V, the film follows her transition from housewife, to a successful young attorney, to high-priced call girl, to cheap street whore extraordinaire. From the penthouses, the Mercedes, the minks and the sparkling dinner parties, the dingy skid row hotel rooms, V and her companions lead us through every facet of sensual perversion. You'll follow her from her home, to a penthouse filled with 12 couples engaged in an elaborate orgy, to a stylish brothel for discreet millionaires, and finally to a cheap hotel where anything with anybody goes.

The Kill aka Reservoir Cats (1968) - Gary Graver

Plot description from a commenter at IMDB:

This is a strange movie. It appears someone took an old 70s porno, cut it into a tit flick, and added hilarious voice overs every now and then.

If you want an action movie avoid this. If you want to see a tit flick with dialog so ridiculous it's funny then watch this.

The "plot" revolves around an over wardrobed private eye who has a promiscuous damsel in distress come to him to for help. He vows to stand up for her and yada, yada, yada. You aren't watching this movie for the plot. You are watching this movie because you are bored and want a good chortle.

Private Teacher (1985) - Gary Graver

IMDb review:

Parker and Byron - perfect for their parts.

If you were making a movie that catered to the mature woman/younger man fantasy, you could go through the whole array of performers who have appeared in feature-length adult videos and not find anyone better to cast than the fabulous Kay Parker and a youthful Tom Byron. Luckily for us somebody did the right and logical thing here.

Tom's aunt is Honey Wilder, another "mature" wonder. (In porno terms that means over 30.) She's concerned about the way her nephew is behaving, locking himself in his room and not coming out. That's because he's spying on some neighbors across the way, two stewardesses who unwind on layovers by engaging in wild sex play. They are played by Joanna Storm and Laurie Smith, another piece of inspired (and logical) casting. An eager Paul Thomas will go along with whatever they want, including wearing a bunny suit! This does come off before any sex scene begins, be assured.

The ecstasy girls (1979) - Gary Graver

Synopsis:
Here is a splendid little classic from 1979, produced by Harold Lime and directed by Robert McCallum. As is usual with "Golden Age" classics, the plot, acting, exterior shots and general production values are outstanding. This flick was shot on location in Los Angeles, Las Vegas, Lake Tahoe and San Francisco. They don’t make them like this anymore.

Jamie Gillis plays a washed up B-movie star who is down on his luck. He has been reduced to escorting starlets to movie premieres, a service for which his agent pays him a few bucks plus expenses. He still makes the rounds of Hollywood parties, however, and at one such event, his host, J.C. Church, observes him seducing Desiree Cousteau. It is a hypnotic scene; Cousteau was a beautiful girl with wonderful, natural breasts. Georgina Spelvin secretly observes them, while being secretly observed herself by J.C.

Co-Ed Fever (1980) - Gary Graver

Synopsis:
A national news magazine publisher decides to do a front-page story on his daughter's sorority. The college administration and the sorority see the chance to gain popularity for the school, but are afraid that some of the girls have boyfriends that would project the "wrong" image. A decision is made to hook the girls with an alternate fraternity that has the "desired" image for the sake of the article. Predictably, the girls and their boys rebel. The antics begin as they all try to sabotage the whole project while still secretly seeing each other.