Supesharu ressun: Hentai sei-kyôiku AKA The Gods Have a Nervous Breakdown (1990) - Hisayasu Satô

 

 Quote: Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends. The screenplay was titled “The Gods Have a Nervous Breakdown,” which should give some idea of the symbiotic descent into psychosexual dementia that ensues. Rei Takaki co-stars with Shoichiro Sakata and Asako Shirakawa.

Yume de aimasho AKA Wonderland (1996) - Hisayasu Sato

A family begins to change when they move to a town that was once complete forest.

Abunômaru: Ingyaku AKA Celluloid Nightmares (1988) - Hisayasu Satô

A detective follows a killer who films his murders with a knife attached camera.

Atsui Toiki AKA The Fetist AKA Hot Breath (1998) - Hisayasu Satô

Quote:
Slightly strange Sato entry from 1998 revisting the gay pinku once again. A young man in a somewhat abusive gay relationship slowly loses his mind and becomes a serial killer, slashing random people in the streets. There's a next-door neighbour obsessed with capturing sounds and eavesdropping, another neighbour who has an S&M relationship with a girl that seems to unsettle and trigger violent and confusing thoughts in the young man, and there's a gay painter who becomes obsesed with the young man. Violence escalates and becomes chaotic, but none of their behaviour makes any sense. Just more of the typical Sato themes of obsessions and fetishes turning violent I guess.

Hitozuma korekutâ aka Wife Collector (1985) - Hisayasu Sato

Cult "pink" director Hisayasu Sato's films typically focus on unusual relationships among the alienated dregs of urban society, and this one is no exception, as a taxi driver who rapes women runs into a former victim and begins a decidedly peculiar affair. Minako Ogawa, Naoko Takeda, and the omnipresent Katsumi Ohtaki co-star in yet another of Sato's downbeat dispatches from the urban underbelly, co-written with Shiro Yumeno under the title "Decaying Town," which would be a good title for most of the director's works. ~ Robert Firsching, All Movie Guide

Rezubian reipu: Amai mitsujû AKA Lesbian Rape: SweetHoney Juice (1991) - Hisayasu Sato

Quote:
A love & rape triangle between two female coworkers (Mastuda and Ako) and a "gun rapist" (whose silencer is made of a tube test ^^).
Matsuda can not wait to get married and have child, Ako is infuated with Matsuda, and the "gun rapist" has feelings for Ako.
Bad things are bound to happen...

Boko climax! AKA Rape Climax (1987) - Hisayasu Sato

Synopsis: Director Hisayasu Sato helmed this peculiar tale about a woman known as Locker Baby because she was left in a bus station locker as an infant. Locker Baby is raped by a man clad in black leather, traumatizing her still further, and driving her to sensory-deprivation therapy. Unfortunately, she is raped during the course of the therapy and becomes pregnant, leading to a denouement which any reader of the Hot Blood or Borderlands series will see coming a mile away Robert Firsching).



https://nitro.download/view/8A13410BB4BB742/Rape_Climax_-CG.mkv 

https://nitro.download/view/D7F6C988A285C9B/Rape_Climax_-CG.idx 

https://nitro.download/view/E56EB68276BAC10/Rape_Climax_-CG.sub

Language:Japanese
Subtitles:English (srt)

Shisenjiyou no Aria aka The Bedroom (1992) - Hisayasu Sato

Hisayasu Sato's THE BEDROOM is a bold, yet flawed film which manages to create an utter sense of depersonalization and loneliness, while still telling a great story. The visuals are great; blue and red light coat the bodies of the comatose girls of The Sleeping Room while giant TVs with constant static decorate the background. Sato's spare use of music also helps to create tension in the film; the soundtrack features immense buildup that never actually climax, keeping the viewer aurally on edge. Despite the fact that the film may seem confusing at first, if the viewer is willing to actively watch the film and engage with the way Sato is telling his story, the viewer will be rewarded at the end.