Les nymphomanes AKA The Nymphomaniacs (1980) - Claude Bernard-Aubert

 

 Matthieu has affairs with three women at the same time: a married woman, a stewardess and a nurse. He manages to keep them separate and secret from each other with the help of his maid Marinette. The is the French erotic version of the Hollywood comedy Boeing, Boeing (John Rich: 1965).

 

Auto-Stoppeuses En Chaleur AKA Hitch Hikers in Heat (1979) - Claude Bernard-Aubert

AUTO-STOPPEUSES EN CHALEUR (HITCHHIKERS IN HEAT) - 1979
Classic Brigitte Lahaie film in which she plays a hitch-hiker who is more than generous to repay the favor! A happy husband and his wife are about to leave on vacation, but on the way the husband happily picks up 2 young Danish hitch-hikers and takes them back to a hotel. After this exciting romp the husband is more than willing to pick up Brigitte from the side of the road. Soon he finds himself with Karine Gambier and the action continues...Also stars Karine Gambier, Karen Allan, and Cathy Stewart.

Maitresses très particulières aka Jack 'n Jill (1980) - Claude Bernard-Aubert

 

 Very Particular Mistresses is a French pornographic film, released in French cinemas in 1980 under the signature of Burd Tranbaree (pseudonym of Claude Bernard-Aubert). It consists of scenes from an American film directed by Chuck Vincent and additional scenes shot in France. Synopsis: Didier and Estelle are a Parisian married couple in their thirties who spice up their sex life with role-playing games. During an evening with a couple of friends, they advise Didier to practice swinging to avoid falling into the routine. During a next dinner at the home of the couple of friends, despite their apparent embarrassment at the start, they indulge in a card game stripper, then come the wages which quickly turn into swinging. The couple will then multiply the adventures, going from surprises to surprises.

Chambres d'amis tres particulieres (1983) - Claude Bernard-Aubert

Synopsis:
A couple arrives to an old Mansion which they inherited from their late aunt... and they soon arrive to find with the help of the house maid that the house is full of erotic tricks and voyeuristic gadgets what makes their inner animal instincts to flow...

Esclaves sexuelles sur catalogue AKA Sarabande Porno (1977) - Claude Bernard-Aubert

Philippe & Jean-Pierre enjoy the companionship of women they met at an auction.

The film is also known as Sarabande porno.

Starring: Emmanuelle Parèze, Danielle Troger, Brigitte Lahaie, Karine Gambier, Bernard Hug & Richard Allan.

Parties de chasse en Sologne aka Sex Hunting Adventures (1979) - Claude Bernard-Aubert

BRIGITTE LAHAIE at her best, and MARILYN JESS in her earliest days (she isn't even mentioned in the credits), appear in impossible hunting parties conceived by the imaginative BURD TRANBAREE, where the wild game is none other than the young ladies invited on a weekend getaway. A record number of viewers welcomed this delight from France's Cinema X when it debuted in Paris on August 29, 1979 in ALPHA-FRANCE cinemas.

L'Initiation d'une femme mariée (1983) Claude Bernard-Aubert

Quote:

A Farewell to Arms, and Legs, and Breasts, and...
8 November 2008 | by Dirtymoviedevotee (dries.vermeulen@hotmail.be) (Brugge, Belgium) – See all my reviews

As porn's theatrical age drew to a close in the Old Country, Parisian field leader Alpha France decided to pull out all the stops for its final production (though cinemas continued for a while longer exhibiting purchased product) and wisely gave its in house director Claude Bernard-Aubert – a/k/a "Burd Tranbaree" – Carte Blanche for what was to prove his farewell to fornication films as well. With an alleged cast of 36, a veritable Who's Who of the period though many of them restricted to orgy action, Tranbaree did not stray too far from his comfortable habitat, i.e. the upwardly mobile middle class of the French capital. While this favored choice of protagonist had stifled many a previous cinematic endeavor, he finally got the recipe right and managed to elicit audience sympathy for the plight of the socially pampered. Much of the film's success can be attributed to leading lady Cathy Menard, a fine actress with hauntingly sad eyes, who delivers an absolute career performance – along with her very different turn in Gérard Kikoïne's scathing BOURGEOISE…ET PUTE! – as apparently prototypical bored housewife Babeth. Yet it's not her ennui which propels the pornographic proceedings but rather the dissatisfaction of her horn dog husband Léopold (stalwart Richard "Allan" Lemieuvre still shedding new light on familiar territory) who has been stringing along several mistresses to supplement the routine bedroom action he gets at home.

Secrétariat Privé (1981) - Claude Bernard-Aubert

e.orgazmik.com
The happy go lucky secretariat near the Eiffel-tower is populated by a group of sex-crazed office workers. If you take a job as secretary here, be prepared to work on your knees, not just sharpening pencils. For special services, the female employees on occasion get awarded a gold penis. At the end there's the obligatory group-sex session on the rather dusty office-floor.

Fievres Nocturnes (1978) - Claude Bernard-Aubert

Jean-Louis Vattier dreams about his lovely downstairs neighbor, Brigitte Lahaie, although his dreams occasionally turn into nightmares involving his hard hat co-worker Dominique Aveline. One particularly strange and violent sequence is not made any more watchable by some slow motion fighting accompanied by the usual 'arousing' sax music instead of more threatening music, but this entire film is one big incomprehensible trip anyway, so the viewer had better prepare for more far out scenes. Pierre awakes to find his beautiful blond wife (although she's no Brigitte) played by Ursula White. Obviously their marriage is in trouble, with him living in a fantasy world of his own making while she, Janine, has taken a lover of the same sex (Liliane Lemieuvre as Rosette). Pierre spots Brigitte in a book store and begins to fantasize once more. The, erm, ejaculation shot is most definitely a fantasy! Then he goes home to dream about himself sharing Brigitte with his wife. Well at least he hasn't completely forgotten about his spouse. In return, she has arranged an appointment with a psychiatrist, Madame Gabrielle Dullan, an older lady, who non the less is as sexually liberated (or should that be unrestrained) as everyone else: she let's him fondle her bosom while he tells her his woes. Naturaly, he drifts off into Lalaland once more, this time also including the shrink's maid, while her employer gets to watch.

Infirmières à tout faires AKA Young Head Nurses (1979) - Claude Bernard-Aubert

Two men are secretly investigating a clinic in a remote area near Paris in which the nurses are rumored to provide special, non-medical services to their patients. When the men are discovered, they flee to Paris with several of the nurses in hot pursuit. Soon they discover that although they can run, they cannot hide.

Bourgeoises en chaleur aka French Gigolo (1977) - Claude Bernard-Aubert

Synopsis:
The film opens with a 30-something brown-haired woman (Ursula White) approaching the door of a house, turning back and then summoning up the courage to go in. She looks as if she could be Erika Cool's older sister, but does not have such a distinctive face. Daniele Troeger is the maid who takes her coat. She is introduced to a 30-something woman who runs the establishment and is shown a catalogue of men. One picture is of Richard Lemieuvre, but most are of Charlie Schreiner. She is then introduced to a near lookalike in the form of Gabriel Coez. He gives her a good time. We then see him giving a folder of documents to a mature blonde (Amanda) and asking her to sign them. Is she another client?

Couple 'libéré' cherche compagne 'libérée' (1982) - Claude Bernard-Aubert

From egafd:
Marianne Aubert and Guy Royer are an unmarried swinging couple. They seduce every female or male they encounter, it seems. We seem them reading the paper (presumably the personal ads) while having sex.
Cathy Stewart arrives to do some typing for Guy. He seduces her, but runs off in disgust when Marianne tries to join in. The next typist, Laura Clair has no such inhibitions, however.
Next Guy arrives home to find Marianne talking to a friend (Obaya Roberts) while her husband (Jean-Pierre Armand) fixes their car in the street. The friend beckons him up to the apartment for a swinging session and he arrives to find Guy having sex with his wife. A foursome soon develops.

La rabatteuse AKA The Harvester (1978) - Claude Bernard-Aubert

When Robert agrees to keep an eye on his friend’s girlfriend, Jocelyne, while he is out of the country, she assures him that he'll soon come to appreciate her "special talent" to convince any woman to join them for an intimate relationship.

Starring: Brigitte Lahaie, Ghislain Van Hove, France Lomay, Karine Gambier, Nicole Valin, Barbara Moose, Danielle Troger, Marion Schultz & Emmanuelle Parèze.

Le Retour des Veuves (1979) - Claude Bernard-Aubert

The film opens with Jean-Pierre Armand and a male, presumably Gregory, being entertained by two strippers. One is blonde (XNK0388, but this could be Danièle David with curlier hair) and the other brunette (Sophie Duflot). They strip then dress then have sex with the two men.
Then Gregory looks up the death notices in Le Figaro and the theme of Veuves en chaleur resumes, but with more comedy - very Carry-On style. They disagree on tactics, however. Jean-Pierre thinks a visit is better, Gregory favours a letter of condolence.
The first widow is Brigitte Lahaie. Jean-Pierre visits her and calls her Madame ..., but, tearfully, she says "Appelez-moi Madeleine." So he turns away and shouts "Madeleine!" thinking Madeleine is the maid. This gives her the giggles and leads to a b/g scene.

L'Initiation d'une femme mariée (1983) - Claude Bernard-Aubert

Quote:
A Farewell to Arms, and Legs, and Breasts, and...
8 November 2008 | by Dirtymoviedevotee (dries.vermeulen@hotmail.be) (Brugge, Belgium)

As porn's theatrical age drew to a close in the Old Country, Parisian field leader Alpha France decided to pull out all the stops for its final production (though cinemas continued for a while longer exhibiting purchased product) and wisely gave its in house director Claude Bernard-Aubert – a/k/a "Burd Tranbaree" – Carte Blanche for what was to prove his farewell to fornication films as well. With an alleged cast of 36, a veritable Who's Who of the period though many of them restricted to orgy action, Tranbaree did not stray too far from his comfortable habitat, i.e. the upwardly mobile middle class of the French capital. While this favored choice of protagonist had stifled many a previous cinematic endeavor, he finally got the recipe right and managed to elicit audience sympathy for the plight of the socially pampered. Much of the film's success can be attributed to leading lady Cathy Menard, a fine actress with hauntingly sad eyes, who delivers an absolute career performance – along with her very different turn in Gérard Kikoïne's scathing BOURGEOISE…ET PUTE! – as apparently prototypical bored housewife Babeth. Yet it's not her ennui which propels the pornographic proceedings but rather the dissatisfaction of her horn dog husband Léopold (stalwart Richard "Allan" Lemieuvre still shedding new light on familiar territory) who has been stringing along several mistresses to supplement the routine bedroom action he gets at home.