Una Rajita Para Dos AKA A Crack For Two (1984) - Jesus Franco & Lina Romay

 

 Quote: Yet another hardcore film co-directed by Jess Franco and Lina Romay[Lulu LaVerne] As usual with a Franco hardcore picture, this film doesn't go for anything sexual but instead it throws countless sex scenes into a bizarre story. The story centers around a government agent who is following a spy (Romay) who puts some sort of secret chip up women's butts in order to carry out only God knows what. I had to view this film in Spanish without any subtitles so I'm not exactly sure what the chips were being used for but it doesn't appear that there was too much to the story since the majority of the 83-minute running time centers on the sex scenes. For the most part these scenes are poorly shot and you can tell that the director was working on a very low budget. At least this time out Franco was able to cast some better looking women as some of his hardcore films seem to have him digging at the bottom of the barrel. Romay is pretty good in her few scenes in the film, although she only appears at the start and end. If you're wanting to see her in hardcore action then here's another chance as that's all she's really doing. The supporting cast members are interesting at best, although Franco does show up in a few scenes. There's really nothing here that stands out among the other hardcore films Franco was making during this time period but if you must view everything the director has done (like me) this one here is certainly far better than some of the movies he was making around this time

Debbie Does Dallas Part II [+Interviews] (1981) - Jim Buckley

 

 The original, one and only Debbie (Bambi Woods) is back and better than ever. This time, Deb and her pals do most of their scoring off the field when they take up employment at the hottest bordello in the West! You’ll cheer their erotic acrobatics as they lead their clients from one wild encounter to another… And you can be sure that the balls flying in this tape aren’t only on the playing field.

 

Les chiennes AKA Le manoir aux louves AKA The Bitches [+ Extra] (1973) - Michel Lemoine

 

 A wealthy bourgeois, bored in her immense property, to pass the time engages a gigolo to answer all her wishes, from the most unfulfilled to the most hidden … But when the young man takes an interest in the sister of his boss, the latter becomes very jealous.

Et avec les oreilles qu'est-ce que vous faites? [+ Extra] (1974) - Eddy Matalon

 

 Two friends, Arthur and Jérôme, want to make a film. After much hesitation, they give up their primary aspirations and opt for a trendy theme: eroticism! Benefiting from a tidy sum of money, all they have to do is find the ideal cast. But the tandem is far from imagining that this somewhat crazy project will completely change their existence.

Nøglehullet AKA Keyhole (1974) - Paul Gerber

 

 Sex-comedy about a young photographer (Torben Larsen) who is given the task of writing a screenplay about ordinary people's sex life. A well-known film producer Per Hansen gives the young photographer an assignment to shoot a realistic porn film. Unfortunately, the producer doesn't know that Soren is friends with his 17 year old daughter (Marie Ekorre) who wants to be part of the project. And she is anything but an innocent little lamb. This film features the lovely Ekorre who was the Penthouse Pet of the Month for March 1974. She had a short but memorable career in Swedish cinema during the 1970's. This film contains three scenes of unsimulated sex the rest is softcore. Paul Gerber worked as A/D on Alex de Renzy's A History of the Blue Movie (1970 and directed five adult exploitation films in Sweden.

Pick-up (1975) - Bernard Hirschenson

Summary:
"Pickup is actually an artsy venture that depicts two young women -- fun-loving and self-styled mystic meeting up with, a young man who is driving a
luxury R.V. across the state for an automotive delivery service. When a storm-related detour leaves the trio stranded in the swamp, they decide to
indulge in nature -- and each other. Each relives a past trauma that drove them to leave home and the story ends with a very "1970's" surprise
ending."

The Notorious Cleopatra (1970) - Bethel Buckalew

History is warped yet again by Box Office International, in this lavish, lewd and ludicrous epic by producer (Mantis In Lace) and occasional director (Secret Sex Lives Of Romeo & Juliet) Peter Perry. According to Perry's version, Julius Caesar is a corpulent grump, lamenting the drab quality of orgy talent while a concubine drapes herself across his royal presence. At the mention of Cleopatra as an exotic addition to his carnal menu, he orders his cohort Mark Anthony (`Rome's greatest lover') to Egypt to check out the talent - with a strict hands-off policy. Cut to Mark Anthony, whose hands are anywhere but off the Nubian nuptials. After a ringside seat at a virgin sacrifice and multi-racial orgy, Anthony and co return to Rome understandably knackered; Cleo and her handmaiden (!!) follow them incognito. She has a thing for Mark Anthony herself, but ambition gets the better of her, and finds the way to a Caesar's heart is through his stomach. Mark Anthony meanwhile becomes the patsy for Caesar's murder, and discovers her treachery while on the run. Exit Cleo, exit Mark Anthony, and historical accuracy is flushed down the aqueduct once more for good luck.