Take Me Naked (1966) - Michael Findlay & Roberta Findlay

 

 quote: This curiosity was directed by Michael Findlay. Findlay was probably the most famous of a small group of underground New York filmmakers that were in operation in the 1960s. Joseph W. Sarno, Joseph P. Mawra, and Lou Campa were the others and they produced exploitation "roughies" Roughies were films that combined Noir/Suspense/Thriller film elements with the new found freedom to exploit sex. These films were produced expressly for the grindhouse market. They were low budget, probably ran a week to ten days in a theater and made a profit.

Mnasidika (1969) - Michael Findlay & Roberta Findlay

Synopsis:
A man awakes from his sleep to discover that he's in ancient Greece. He witnesses a scantily-clad woman whom he woos, then kills with a club. A group of lesbians find the man, tie him to a tree, then partake in an incredible deed. An astonishing sex-and-sadism excursion from Michael and Roberta Findlay (authors of "Snuff", "Satan's bed" and "Take me naked"). Psychodelic, surreal atmoshpere and lots of sleaze make it worth your saturday time.

The Playgirl (1982) - Roberta Findlay

Another great production from that era. It stars one of the all-time greats, Veronica Hart, who was probably the best actress to appear in adult films and no slouch when it came to the sex, either. In this movie she plays a liberated woman determined to enjoy her life and her sexuality on her own terms. Veronica was one of a handful of stars in those years who was always classy no matter what she was doing. So was co-star Candida Royale, seen here before she got behind the camera. Tiffany Clark was also a pretty and worthy performer. Plus there's Merle Michaels, one of the great unsung heroines of erotica. Her performances were just about always outstanding and she often outshone bigger names starring with her.

Anyone But My Husband (1975) - Roberta Findlay

A horny, unsatisfied housewife and her best friend cut loose on a breathtaking sexual spree. Encountering a sultry assortment of swingers, they discover just how much fun it is to run around on their mate

Mystique (1980) - Roberta Findlay

imdb .com wrote:
Flawed but fascinating, MYSTIQUE offers a rare opportunity to witness the relentlessly morose universe of the late Roger Watkins of LAST HOUSE ON DEAD END STREET infamy filtered through the sensibilities of another filmmaker. In this case Roberta Findlay, resorting to her male alter ego of "Robert W. Norman", thereby perhaps accidentally initiating an unofficial trilogy of the downbeat with A WOMAN'S TORMENT and THE TIFFANY MINX. While Watkins, fresh from wowing fans and critics alike with his dirty movie debut HER NAME WAS LISA, obviously remains the premium interpreter of his self-confessed inner turmoil, Findlay certainly gives it the old college try, gamely taking on board all of the author's lofty idiosyncrasies. For the film at hand, these include an opening quote from French existential poet Paul Valéry (equating a drop of wine spilled in the ocean, from his poem "Le Vin Perdu", with the waste of a life lived on the sidelines) and borrowing the names of the wives of Gustav Mahler and Richard Wagner for his main characters where he, of course, gained genre notoriety as "Richard Mahler" ! True to form, soundtrack's liberally littered with highbrow selections from both composers' body of work.

Sweet Punkin I Love You (1976) - Roberta Findlay

Synopsis:
"C.J. Laing stars as Punkin', a luscious hillbilly porn starlet who loses her job early in this vivacious video. She's rescued from poverty by an elderly millionaire, but he has a heart attack and dies while in bed with her. Now it's C.J. who's got all the money, and she's determined to make the most of it. She turns the mansion into a bubbling cauldron of lust, inviting over some of her old porn pals to help liven up the joint. C.J. turns in the performance of her career, especially in the finale, when she shows off her throaty skills to massive studs John Holmes and Tony Perez. Punkin's sweet, but she's also sexually driven, a combo that makes this one of the hottest old-school sexvids around."

The Altar of Lust (1971) - Roberta Findlay

A sexually confused young woman in a session with her psychiatrist relates her tale of coming to New York City from Sweden after being raped by her stepfather, falling in love with a young man named Don and then realizing that she is finding herself attracted more and more to women.

Shauna: Every Man's Fantasy (1985) - Roberta Findlay

Quote:
Shauna Grant was every man’s fantasy. Leaving her hometown at the tender age of eighteen, within a year, this dazzling woman rose to meteoric fame as an adult superstar. But how did Shauna become the erotic enigma who launched a thousand wet dreams? Journalist/Director Joyce James takes you behind the scenes of the adult film industry as she tries to unravel the puzzle that was Shauna. Taking a hot and horny look at this blonde beauty’s mystique, James meets the people who knew and loved Shauna, watches them make love for the camera, and then discovers the real Shauna herself. In film footage never before seen, this vibrant sexual Venus makes love with all the passion and desire that consumed her life. Filled with scene after scene of mouth watering action, Shauna – Every Man’s Fantasy features the most beautiful women and the hardest men in the erotic cinema today…at their blistering and bawdiest best

Glitter (1983) - Roberta Findlay

Description
Following the death of his father, painfully shy David Preston (a subdued Jerry Butler) finds himself pressed into duty as new chairman at the Glitter advertising agency, a task he's clearly not up to as brow-beating bitchy exec "MS." Benson can't resist pointing out when they first meet. Cursed with an oh so '80s loose perm, the incomparable Marlene Willoughby has a field day camping it up, effortlessly hijacking each of too few scenes she's in. Too bad her sole sex scene, with fellow fornication film veteran Ashley Moore, proves such a damp squib, sabotaged by sloppy editing. A chance encounter with old buddy and prodigious ladies man Brad (Christopher Reeve lookalike Michael Knight) and the introduction of a temperamentally contrasting modeling team at the office push David down the road to assertiveness. Kelly Nichols shines as protective, dyed in the wool Marcie, looking out for innocent little Amy (the late, lamented Shauna Grant at her most rigidly guarded), who naturally falls head over heels for her equally awkward employer.

Angel Number 9 (1974) - Roberta Findlay

Synopsis:
Steven is a self-obsessed man who seduces a lot of women. When his girlfriend gets pregnant he tells her to get out of his life. After a car accident, Steven dies and comes to heaven. But his punishment is to return to Earth as Stephanie and he can only return to heaven if he can fall in love with a man just like Steven.

Justine: A Matter of Innocence (1980) - Roberta Findlay

Synopsis:
Justine (Hilary Summers), just having graduated from a French finishing school, decides to go live with her rich uncle (Ashley Moore). She is charming and sweet, but her uncle is scandalous and wanton. Justine happens one day to enter her uncle's bathroom and discovers him with his mistress. This utterly shocks the innocent Justine, and she runs frightened to her bedroom. The image of the sexual encounter burns in her mind, however, and she begins to have lusty sex-filled dreams of her own. For the bulk of the film Justine is a virgin with explicit fantasies. In the end, however, she strategically moves from fantasy to reality.