All the Sins of Sodom (1968) - Joseph W. Sarno

 

 Shot back-to-back with Vibrations in 1968, All the Sins of Sodom has been hailed as “one of Sarno’s most captivating films” (Video Watchdog). Encouraged by his agent, Henning, a struggling NYC photographer, begins a daring portfolio of his model, Leslie. But all too soon, jealousies erupt when another model vies for his camera and bed in this penetrating study of ambition, romance and lust set in the world of fashion photography. “Sexploitation auteur Sarno is at the top of his game” in this elegantly filmed time capsule of late ‘60s New York (DVD.com).

Swedish Wildcats AKA Every Afternoon (1972) - Joseph W. Sarno

The sadistic Madam Margareta is a talking side of beef that serves as the hostess and ringleader for a live sex tease show and whorehouse. Madam's shows always feature her bodacious nieces Susanna and Karen, who perform in everything from striptease to S&M acts. Eventually, Karen meets a nice rich gentleman and runs away with him whereas Susanna falls in love with a deceptive airport cargo handler.

Stray Cats (1984) - Joseph W. Sarno

Mara and Jane, two girlfriends from college, rekindle their friendship. Jane is now married to Mara's ex-boyfriend, but Mara still has the hots for both him and Jane.

Passion in Hot Hollows (1969) - Joseph W. Sarno

Review from dvddrive-in.com:
On the surface, other than the superbly written script, this could be your standard upstate New York semi-roughie shot by any Joe-schmoe seeking to sell sex at the local Deuce theater. The print used for the transfer, apparently the last remaining element of the film, is in rough shape, so upon first viewing, none of Sarno's personal touches may be evident. But PASSION IN HOT HOLLOWS is a very special film for many reasons, and is a film the man himself is deservedly proud of. First things first: my personal fetish figure Uta Erickson, the sensual blonde of countless sexploitation films of NYC, has her largest speaking role here, shot in live sound, and proves that she WAS a real actress, portraying a deeply complex character and still finding time to look lovely, both fully clothed and displaying her beautiful body in Sarno's sexy shadowy lighting. According to Joe and Peggy Sarno, Erickson was of Norwegian descent, which would explain the European-sounding moniker, which I assume is her actual name. Erickson was a favorite of the Findlays, Doris Wishman, John Amero, and Barry Mahon, appearing in highlighted roles in many of those directors' best films (LOVE TOY, BACCHANALE, THE ULTIMATE DEGENERATE), but Sarno provides her with a superb vehicle for her Nordic beauty and superior thespian talents. He shot this back-to-back with her only other major speaking lead role, MARCY, which is still lost at the moment, and used her in several other films before this one, so it appears I'm not the only one with an affection for Uta.

Suburban Secrets (2004) - Joseph W. Sarno

Laura, a famous nude model, returns to her small-town home when she learns that her old boyfriend is having a relationship with her aunt.

Pandora and the Magic Box (1965) - Joseph W. Sarno

Quote:
Believe it or not, director JOE SARNO, the master of serious psycho-sexual drama, actually made a goofball comedy. Pandora and the Magic Box is a parody of Italian muscleman movies, ancient Greek mythology, and a continuous burlesque gag all in one. The well-known myth of Pandora’s Box is interpreted by Sarno’s familiar skinflick ensemble wearing skimpy sequined togas and playing the roles of legendary gods, goddesses, heroes and characters – with more than a bit of poetic license. Filmed entirely on a make-shift stage set (complete with enormous Styrofoam boulders and fake foliage), Pandora and the Magic Box is about as low-budget as it gets, and comparable to the joys of a small-town community-theatre production.

Butterflies (1975) - Joseph W. Sarno

“BUTTERFLIES is the bonafide masterpiece… the best of the three Sarno-Nebe films and probably the sexiest "softcore" film he ever made. If BUTTERFLIES could be called “softcore"...the film was shot hardcore and then the penetration cut out to focus on the reactions and intense chemistry between the performers. Some fleeting moments of hardcore are still present, but this qualifies more as a hard softcore feature which would still be rated X today. Marie Forsa returns as Denise, a beautiful country girl whose life is filled with joy and love for her handsome boyfriend, Freddy. But living in an idyllic existence soon bores her, and she is off to the big city to experience the glamour and glitz for herself. She meets Frank, a dashing nightclub owner who takes her under his wing. But she doesn't take kindly to the fact that she's just one of his stable of women and must choose between the big city life and her dreary farm life.

Red Roses of Passion (1966) - Joseph W. Sarno

A man-hungry suburban woman feels frustrated since she lives in the home of her prudish aunt and cousin, who interrupt and criticise her amorous liaisons. A co-worker brings her to a tarot-card reader, who introduces her to a club of women who meet occasionally to share an intoxicating brew, tease each other erotically with long-stemmed roses and honour the heathen god Pan. The occultist manages to corrupt the aunt and cousin, and lure the woman into full-fledged membership so she might participate in its climactic ritual.

A Touch of Genie (1974) - Joseph W. Sarno

Plot Synopsis:
A Greenwich Village nerd finds an ancient jar and inadvertantly releases a wish-granting genie. Despite interference from his mother and his best friend, he uses the opportunity to indulge his sexual fantasies, which are based on porn movies he's seen.

Moonlighting Wives (1966) - Joseph W. Sarno

An ambitious suburban housewife, tired of forever being in debt, sets up an independent stenography business. Finding that her clients are more interested in the women than the dictation, she revamps it into a discreet and highly profitable prostitution ring made up of neighbourhood wives.

Deep Inside Annie Sprinkle (1981) - Annie Sprinkle & Joseph W. Sarno

Quote:
“It doesn't get any better than this! Deep Inside Annie Sprinkle revolutionized the porn industry when it was first released in 1981 and it's sense of sultry fun and joyous innocence can never be duplicated. Scenes include a sexy slumber party with six of her friends; an incredible female-ejaculation scene with a hot male partner; and what is possibly the most explosive solo-sex scene ever recorded. Annie takes us Deep Inside and shows the world how truly expansive and incredible a woman's sexuality can be. “ – Goodforher.com

Sleepy Head (1973) - Joseph W. Sarno

A frustrated sexually repressed woman lives with her even more repressed sister. When the woman’s domineering lesbian ex-lover shows up, she tries to resist her, but the lover will sex up sisters’ lives whether they like it or not.

Starring: Georgina Spelvin, Tina Russell, Jason Russell, Marc Stevens, Darby Lloyd Rains, Davey Jones, Judith Hamilton & Jamie Gillis.

Dirty Blonde (1984) - Joseph W. Sarno

When a ladies’ man disappears, a string of beautiful women go looking for him, including his ex-wife, his new fiancée and a sexy private eye.

Starring: Honey Wilder, Carol Cross, Danielle Martin, Cody Nicole, Renee Summers, Joey Silvera, George Payne & Klaus Multia.

Vild på sex AKA Girl Meets Girl (1974) - Joseph W. Sarno

Bibi comes to her aunt Toni's boarding house where she is seduced by lesbian women. Soon, no one is safe from her insatiable hunger.

Vampire Ecstasy [+Extra] (1973) - Joseph W. Sarno

In the mountains of Germany stands a grim and secluded castle - the haunted legacy of the beautiful medieval vampire Baroness Varga. Put to death for her ravenous hunger for female blood, the Baroness uttered a curse that she would one day return to forever satisfy her unnatural lust and that day has finally come. Four women have gathered at the castle unaware that its darkly seductive housekeeper is a satanic high priestess presiding over a coven of delectable servants who each night perform sensual rituals and profane acts to keep the Baroness' spirit alive. As the women are drawn deeper into the ultra erotic nightmare, it will be the most uninhibited among them who shall serve as the vessel into which the Baroness passes to continue her unholy reign of terror.

Confessions of a Young American Housewife (1974) - Joseph W. Sarno

Carol is a young happily married New Yorker, who enjoys being part of a swinging foursome with her husband and a befriended couple. One day Carol's widowed mother comes to stay in their house, but she is more on the conservative side and doesn't know about her partner-swapping daughter. Could she ever open up to this sexually open lifestyle?

Abigail Lesley Is Back in Town (1975) - Joseph W. Sarno

A seductive woman, who left her small fishing town long ago after being caught with another woman's husband, returns to shake up the place by seducing everyone, including the woman and her girlfriends.

Starring: Rebecca Brooke, Jennifer Welles, Jennifer Jordan, Eric Edwards, Jamie Gillis, Chris Jordan, Julia Sorel & Susan Sloan.

Inside Jennifer Welles (1977) - Jennifer Welles & Joseph W. Sarno

Jennifer Wells is a walking sex manual. Jennifer Welles gives fans the treat of their lives, practical demonstrations in the art of seduction. One of out favorite stars of the blue-tinged screen, tells her story with humor, wit, sex and the joy of loving. Scores 100% in unbridled lust.
”Jennifer Welles is unstoppable in her pursuit of happiness. Jennifer Welles puts all of her freakiest fantasies into her farewell film. Her exhausting display of erotica LEFT THE AUDIENCE GASPING. Jennifer Welles fans will stand up and cheer. We see more of what's inside Jennifer Welles than ever before. JENNIFER CAN MAKE ANY GET DROOL AND ANY LADY BLUSH. A knockout sensual sensations!

The Layout (1969) - Joseph W. Sarno

Sarno is also responsible for THE LAYOUT, which follows a manipulative woman (Rene Howard) who systematically seduces the housewives in her cousin's (Suzan Thomas) Florida community, resulting in a suburban lesbian orgy.

Joseph W. Sarno - Odd Triangle (1968)

from IMDB:
Quote:
Usually reliable d.p. Stephen Silverman apparently had problems balancing the interior vs. exterior lighting, and the grading for the print used by Something Weird for the video reissue is defective, resulting in shadowy interior scenes that are difficult to see and several exterior sequences that are pure white-outs.








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