La peur et l'amour AKA Love + fear = Torment (1967) - Max Pécas

"Love + fear = Torment" is one of the most erotic and sensual films ever to be imported from France by Olympic International Films. It was only because of the significant social importance of this picture that U.S. Customs authorities allowed such a startling picture to be admitted into this country. It shows in infinite detail, the raw realistic side of French life, and should be one of the year's top box office draws. "Love + fear = Torment" exposes the secret world of the French model studios, and the men who try to corrupt them. Mobsters become involved when fifty-thousand dollars worth of uncut gems are stolen. A model studio becomes terrorized as one of the models innocently befriends one of the mobsters.

-- IMDb.

Ik ben een Nimfomane AKA I Am a Nymphomanic (1971) - Max Pécas

Synopsis:
"I whispered it again and again: I am a nymphomaniac. Whenever I passed a man in the street I felt the same craving burning inside me..."
Carole is an ordinary girl, leading an ordinary life. Then one day it happens. She discovers her body, sex and sin. Will she ever be free from the torment of her passionate desires?. Directed in 1970, Max Pecas' film is a classic piece of adult cinema from the golden age of French erotica.

Paul and Gabrielle, a young married couple, take in their neighbor's teenage daughter, Felicia, for a few weeks in the summer. It isn't long before the precocious and seductive Felicia sets her sights on the two of them.

Les branchés à Saint-Tropez AKA The Fashioned in Saint-Tropez (1983) - Max Pécas

Quote:
If it were not Max Pécas it would be an average youth romantic movie with some elements of crime comedy, but it is Max Pécas. So, all other genres may be passed in the lovely name of erotic. Moreover, it's one of the most successful Max Pécas' films: it even engendered a so-called "trilogie tropézienne" (with "Deux enfoirés à Saint-Tropez", 1986, and "On se calme et on boit frais à Saint-Tropez", 1987, which were his two last films). Well, there is even some plot in "Les branchés à Saint-Tropez": two young couples arrive at Saint-Tropez and settle on the villa of father of one girl's ex-. But this father proves to be a counterfeiter, and there is even a police auto-moto-chase in the final of film... Well, who will watch the Max Pécas' movie for the plot? The genuine subject is a sun, a nudity and a very French joy of life.

Une femme aux abois AKA The Slave (1962) - Max Pécas

From the catalog:
Lovely Evelyn and her hunky boy-toy Bob are happily enjoying an extramarital French-countryside romp in an elegant cottage when Evelyn’s older half-brother Maurice and his spooky-but-shapely sex-bomb girlfriend come sauntering in with a gun, a briefcase full of cash, and some naked pictures of his sis when she was a desperate young model who didn’t know any better. There’s been a robbery and a shooting, and nasty Maurice is on the lam and doesn’t have much to lose.

Les branchés à Saint-Tropez AKA The Fashioned inSaint-Tropez (1983) - Max Pécas

If it were not Max Pécas it would be an average youth romantic movie with some elements of crime comedy, but it is Max Pécas. So, all other genres may be passed in the lovely name of erotic. Moreover, it's one of the most successful Max Pécas' films: it even engendered a so-called "trilogie tropézienne" (with "Deux enfoirés à Saint-Tropez", 1986, and "On se calme et on boit frais à Saint-Tropez", 1987, which were his two last films). Well, there is even some plot in "Les branchés à Saint-Tropez": two young couples arrive at Saint-Tropez and settle on the villa of father of one girl's ex-. But this father proves to be a counterfeiter, and there is even a police auto-moto-chase in the final of film... Well, who will watch the Max Pécas' movie for the plot? The genuine subject is a sun, a nudity and a very French joy of life.